I prefer rustic style tiny homes over the more modern, minimalist ones, and the new creation by tiny house maker Wood & Heart, based in New Hampshire, is a prime example of everything done right. The tiny house is called Legacy and is made of mostly reclaimed materials, which only adds to its rustic charm. This is the first tiny home built by the company and they’ve entered the market in a big way with it, as far as I’m concerned.
The Legacy tiny home is 26 ft (7.9 m) long and appears more spacious than it actually is thanks to the large windows, which flood the interior with natural light. The exterior cladding is cedar and features Shou Sugi Ban-style charred cedar trimming for contrast. The interior walls are also clad in wood, while they used closed-cell spray foam insulation to insulate the home. There is an exterior utility closet where they stored a tankless water heater, a propane tank and the 50-amp electrical panel with an RV outlet.
The counters are made of black walnut and African mahogany, while the flooring is solid hardwood oak. The home also features floating black walnut shelves and dining table. The kitchen is fitted with a four-burner stovetop with a beveled marble splashback and a 24-inch ceramic farmhouse sink. The split system AC unit is also installed here.
The living area is well-spaced for a tiny home, and features a pull-out sofa as well as plenty of storage space. The bedroom is located in a loft. The bathroom features honeycomb-patterned tiling on the floor and an an accent wall made from reclaimed timber. It is also spacious enough to fit a full-size tub and shower.
The ceiling is clad in rough-sawn planks of reclaimed timber and they placed three large skylights here, which together with the 13 Andersen windows elsewhere in the home lets in ample amounts of natural daylight.
The Legacy is set atop a trailer and can be purchased for $85,000. This price includes all the furniture, appliances and decor.
Poor insulation is one of the main problems when renovating old homes into modern residences. It results in excessive heat gain during the summer, and heat loss in the winter. Architect Drtan Lm from Malaysia recently completed a renovation of a home where they took an interesting approach to combating heat gain. The house they worked on was quite dilapidated, but it did contain a lot of intact terracotta tiles, which they decided to recycle into a sunshade for the home.
The home got its name from this too and is called Clay Roof House. It is located in Petaling Jaya, Selango, Malaysia, and faces west, meaning that lots of sunlight enters it both in the mornings and afternoons. Since the terracotta tiles found in the home were of a very high-quality, the architects used them to create a terracotta brise soleil, as well as a second brick lattice brise soleil, which work to minimize the home’s solar heat gain, as well as reduce much of the glare.
They also made the terracotta tile shading mechanism fully operable, so it can be opened and closed in order to let it air and lights. The added bonus is that the tiles create a beautiful lighting effect inside the home. The terracotta also glows a warm orange in the sun.
They also left exposed brick, concrete and wood in the interior of the home, which blends perfectly with the lovely terracotta brise soleil. The interior of the home features a large living area, several bedrooms, as well as a piano room, study, two kitchens, and a maid’s quarters. For a home this size, preventing heat gain was of the utmost importance, especially given Malaysia’s climate, and the architects did a great job of offsetting some of the cooling costs with this clay tile shading system.
Tiny homes are ideal for singles and couples, but once you bring a small child or two into the mix and things get complicated. Most people opt to move to a bigger home once their family grows, but UK-based architect Tim Francis, his wife, teacher Laura Hubbard-Miles and their three children have chosen to downsize into a very small home.
Their new home is actually a renovated stone building that was used in Victorian times to store fruit. It’s located in the countryside of Gloucestershire, on Francis’ parents’ estate. Their apartment in London was much bigger than this new home, but the nearest park was quite far away, and with today’s prices they were unlikely to be able to afford another home with more of the qualities they sought.
They call their new tiny home Fruit Store, and it took awhile to get all the permits to turn it into a dwelling. The exact measurements of the home weren’t revealed, but the interior appears quite spacious and cozy, probably due to its open, minimalist design. The home features a loft, which houses the children’s bedroom and playroom. The lounge downstairs features built-in benches, which can either be used as a sofa or transformed into a bed for the parents.
There is also a well-sized kitchen, and a bathroom, though an indoor toilet seems to be missing. The house does have running water and electricity though. the family spends a lot of time together outdoors, gardening and exploring the countryside, which is a definite plus in their new living arrangement. The downsizing has also given Tim a chance to get his design firm, Rural Workshop, off the ground.
A family of three living together in such a small home certainly challenges a whole host of preconceived notions about what a family home should be like. However, what a child really needs is a roof over their heads and a family that loves and protects them. So bedroom size is a secondary consideration.
Renovating an existing building can sometimes be the greenest choice, and this revamping of a traditional worker’s cottage into a modern family home is certainly a prime example of this. The renovation was carried out by the Australian firm A For Architecture and the home is located in Melbourne, Australia. The house was once the home of a local factory worker and was built in the middle of the nineteenth century, along with hundreds of others just like it.
The original layout of the house featured many small rooms, and consequently a lot of walls. They started the renovation by first taking down a number of these dividing walls, to make the spaces more open. They kept the two bedrooms, which are located at the front of the house, but they moved the bathroom from the rear to the middle of the home, where it is now located next to the laundry room and a storage space. It was completely redone and is quite large, featuring a sink, shower and toilet. A third bedroom is located just above it.
The living area is at the rear of the home and opens onto the back garden. They also installed several skylights into the roof here to let in even more natural daylight. Apart from having a good connection to the garden, the clients also wished for a layout that would allow for both privacy, as well as spaces where the family could spend time together.
For this reason the architects kept the original layout of the bedrooms in the front, while the rest of the home is now basically one large space. Glazing was installed along the entire back wall of the home, which together with the many skylights makes the interior appear spacious, aids ventilation and lets in lots of light. They kept the existing brick walls, but added timber and concrete during the renovation to make it more robust and give the home that modern, industrial aesthetic.
All in all, this is a great renovation of an old building, and they managed to keep heaps of material out of the landfill while transforming it into a lovely family home.
Traditional craft techniques have been in decline, and have mostly been replaced almost entirely by modern production methods. But in recently years we’ve seen some trends aimed at reviving some of them. Which is not a bad thing, since things that have been learned through trial and error and have stood the test of time deserve a place in the modern world.
Such is also the philosophy behind this gorgeous chair, which is the result of the collaboration between the UK-based designer Christopher Jenner and Felicity Irons, one of the last rush weavers in Europe.
They began their work by first reclaiming the necessary materials by foraging the banks of a river. The frame of the chair is made out of 28 sculptural components that were milled from English oak using 5 axis CNC. Each of these pieces is curved individually and then connected to the others, with the junctions highlighted by bringing together pieces with slightly different wood grains. The seat, on the other hand, was hand woven using Scirpus lacustris (a rush native to England and harvested locally by the river Ouse) by Felicity. The weaving process took 7 weeks, and she did not use any chemicals in the process. A series of mechanical oak dowels was then used to attach the seat to the wooden frame.
Only a limited edition of twelve of these chairs was made, as a way to show that modern techniques can easily exist side by side with traditional methods of making furniture to create a piece of furniture that is stylish, unique and practical. Given the care with which it was constructed, it will also very likely stand the test of time. The chair is available from Gallery FUMI, in Porto Cervo, Sardinia, where it can also be viewed.